anaïs maviel
  • about
    • bio
    • press
    • news
    • upcoming
    • gallery
  • works
    • solo >
      • piano voice
      • multi-disciplinary
      • surdo voice
      • n'goni voice
    • chamber / orchestral >
      • listen to the rain - string quartet, n'goni & voices ft. the Rhythm Method
      • Métadire - chamber orchestra ft. Alarm Will Sound
    • choral / ritual >
      • AÏM choral collective
      • Before before & After after - a sound installation & experiential choral piece
      • BE - vocal 4tet ft. Lívia Nestrovski, Lenna Bahule & Maria Luana
      • Time is Due - an operatic installation
      • Bleu Blanc Black - for any choir
      • Commons Choir - The Prosodic Body
    • improvised / afrocentric >
      • Azúcar - dance film CONTRA-TIEMPO
      • Mara Rosenbloom Flyways: Adrienne Rich love poems
      • DIÁSPORA ft. Chiquita Magic
      • If You Say So ft. Sam Yulsman
      • meshell ndegeocello: The Atlantiques
      • Next Jazz Legacy
      • Métadire Experiments: French quintet & septet
      • trio w/ William Parker & Leonid Galaganov
      • Matt Lavelle's 12 houses big band
  • transmission
    • workshops
    • teaching
  • creolization
    • conversations
    • music & utopia

I AM YOU/ in the garden / peze kafé live at resonant bodies festival

LATIBONIT (haitian trad.) excerpt from Legba swaying

in the garden eponymous solo live album 

Picture
in the garden documents Anaïs Maviel’s performative and compositional investigations, at a turning point in her creative process. In this live performance recorded at Obey Convention (K’jipuktuk | Halifax, Nova Scotia, 2018) we hear voice, kamele n’goni, lyra, surdo, singing bowl, and piano – played all in one set. In this rare setting, Maviel offers a condensed presentation of a process that ranges from embodied spatialization to instrumental layered textures, intertwining with the emergence of language. Collage by Anaïs Maviel, photo Sean Webley.

PRESS

​ “Standing ovation” -
 Exclaim.

"There is some undefinable magic in her performance. Her music has some archaic quality as if it is welling up from the deep subconscious. She performs with an impressive voice that is very flexible and far-reaching. (...) It is incredible how she sings and plays at the same time. But it is above the unique and deep human quality that impresses." - Vital Weekly 

"in the garden is a microcosm of various influences used together to create a stunning work of virtuosity and originality that will engage you from the very first note."​ - Sybaritic Singer ​

Peze kafé (haitian trad.) live at issue project room

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